Back to the Future.

Thoughts on upgrading.

I have been slow to come to the laptop thing -- I had a 400mhz Winbook for awhile, from the era when networking was thought of as an option, and required a card with a terrible dongle on it. A few years later, I swapped a turntable for an obsolete orange iBook. Just a few days ago, I went whole hog (well, mostly) and shelled out for a brand-spanking-new MacBook, freshly updated by Apple to Intel's newest CPU architecture, and with a decent (though hardly top-of-the-line) graphics processor.

These two computers have nearly a decade of computing advancements between them. In that time, Apple has rolled out a completely new operating system, changed its processor architecture to industry-standard x86, and gone through an entire generation of products, along with several update cycles.

That's a lot of progress. The new MacBook runs a slick, modern OS, is almost two gigahertz faster in terms of clock speed (not to mention the extra core) and has built-in Airport "Extreme," Bluetooth, twice the USB ports (for a total of, um, two) Firewire, Dual-Layer DVD burner, 3d-accelerated graphics. It also has more than twice the total pixels, with a 1280x800 widescreen display. It really outclasses the old machine in every way.

Save one, and it's a doozy.

Take a quick look at that top picture again. Check out those surfaces where your palms rest, and the keyboards on each laptop. Orange iBook: nice, curved surfaces, and actually quite a decent keyboard. All the surfaces of the machine are curved, and it's comfortable in almost any position. New, white MacBook: it's square, with a sharp 90-degree edge right where your wrists are. This means it's decently comfortable if you're sitting at a desk, but it really doesn't feel good in many positions where the old one felt just fine. Also, the chiclet keyboard is really pretty bad. The key travel is small, and it's large enough, but the tops of the keys are flat, which is not as good as when they're curved, at least in terms of comfort and usability.

In a lot of ways, the design of the MacBook is a big step backwards. In the years in between these two computers, Apple went square. For desktops, where a human isn't in constant contact with the main cpu portion, this is fine. Square is pretty bad for laptops, particularly when it's taken to the extreme that Apple brings it to. Does it look cool? This is always arguable, but yes, even the bottom-of-the-line MacBook is a fairly slick-looking computer. But it's given up some serious ground in terms of ergonomics, which is a real shame.

More thoughts later -- I'm still in the process of learning Mac OS X and installing Ubuntu (which runs quite nicely on the iBook, by the way) on the machine. My feelings are really still quite up in the air, and we'll see if the MacBook really wins a place in my heart. It's got a ways to go.

Gesha.

I just made an espresso out of this coffee: Guatemalan Acatenango Buena Vista Gesha.

So what's the big deal? The "Gesha" part, which is a rare cultivar (like varietal for wine) which was apparently imported from an old Ethiopian stock into Central America a few years ago. And people love it. It's sweet, full of exotic fruit, and amazing, florally aromatic.

I made some French Press out of it a few days ago -- pretty good, sweet, tasty, nice aromatics. But the espresso (even in the Starbucks Barista here at school) was simply nuts. The floral character was intensified, and the mouth was more powerfully sweet than before...highly recommended. Run, don't walk, and order a pound or so of green, go to Target and get yourself a chefmate popper if you don't have a decent way to roast, and enjoy.

On winning.

Papelbon throws a high-90s fastball past the bat of a pinch-hitter in Denver, and suddenly it's the end; a good feeling, but not the all-encompassing euphoria we felt as we watched Johnny Damon's grand slam in game 7, 2004; even the 3-1 comeback against baseball's other best team, the Cleveland Indians, didn't have the drama of the earth-shattering '04 series, which saw the rise of David Ortiz as the best clutch hitter in baseball.

But it wasn't bad.

This year, everyone who follows baseball knew that the Sox had all the components necessary to get the championship. A few big free agents padded the already-impressive lineup; mostly, they've worked out, although Dice-K hasn't looked as dominant as he did in the World Baseball Classic, and I'd still rather have Trot Nixon out in right than J.D. Drew. (Nixon is a gamer, and we saw him rise to the occasion in the ALCS game 2, even if Drew has more natural talent.) The question was only if the Sox would return to pre-2004 form and fold.

Folding to the Yanks ended up being out of the question; they did something amazing by making the playoffs after a spectacularly bad start, and seemed to bring the ghosts of the past with them when they played the Sox in the second half of the season. In the end, it wasn't enough to get them past the Sox for the division, even with Boston's nonchalance towards winning at the end of the season.

Folding to the Angels wasn't in the cards either: the Angels couldn't bring a healthy team to Fenway, and Manny Ramirez woke up to play some baseball with a spectacular walk-off homer in Game 2, off the excellent K-Rod no less.

Folding to the Indians seems like a distant memory as well -- despite being down 3-1 to Eric Wedge's well-balanced team, the comeback seemed almost preordained. Beckett's win in game 5 over C.C. Sabathia, who before a mediocre-to-bad postseason might have won the Cy Young, was almost inevitable: Beckett is now the game's best big-game pitcher, as Curt Schilling hands over the torch, Clemens (who never really wore that crown anyway) retires, again, and the Yank's Chien-Ming Wang foundered badly this fall. Beckett's slow walk off the mound will doubtless be seen again in October.

There were surprises -- Manny showing up to hit was a big one, after his worst big-league season. Mike Lowell leading the team in RBIs was another; the arrival of Jacoby Ellsbury was huge (I think he might have won himself an opening-day start by hitting over .400 in the World Series, sorry Coco) not to mention Dustin Pedroia hitting over .300 as a rookie, despite a ludicrously long swing. The biggest, of course, has to be Clay Bucholz' unheard-of no-hitter, in his 2nd start in the bigs. The fates were smiling on Boston that day.

But still...this is all a bit new to us Red Sox people. I'm sure half of us were expecting Matt Holliday to hit a 7-run, 3-game-winning homer in the bottom of the eighth today, but the modern, professional management in Boston had put victory out of reach of even the hottest team in baseball.

So we'll see. The Sox are still 19 world series short of the Yankees (and also trail the Oakland Athletics and Cardinals in that category). I also suspect that the reports of the Yankees' demise may have been overstated a bit (unless they lose Posada and Rivera in addition to letting A-Rod go) and there are a couple of great teams in the central division that aren't going anywhere. The Tigers still have all the talent they need to win, though the Indians' pitching should keep them at the top of their division unless Fausto Carmona loses his nerve. The Angels will be tough if they can get another bat behind Vlad (although he's got to stop expanding his strike zone in the postseason.) But there's no getting around it -- the Sox are the top dogs now, just like they were a century ago. Last time, the Yanks knocked us off our post in the early 20's. If we can stay on top that long this time, I'd be very surprised.

So let's enjoy it now -- hats off to the 2007 Boston Red Sox, who, whatever else you might say about them, just proved themselves the best in the game.

Sportswriters are wicked lame.

So the Sox came back from a 3-1 deficit in this year's ALCS to be jeered by sports columnists all over the country -- look here for one example, but it's not just him. I've read several similar columns.

So you win one world series after nearly a century, and that's O.K. -- but more than that, if you continue to win, to please your adoring fans, if many of the same players from your previous win continue to play well, well, that's just too much. You should make like the Chicago White Sox, apparently, who, a mere two seasons after their last World Series, and impressive rout of the Astros, turned out an 18-games under .500 season. Or the Tigers, who despite one of the most all-around-talented teams in baseball, showed only flashes of the brilliance of which they're undoubtedly capable.

It seems to be the story of the day -- the Red Sox have become the Yankees, and now we must all hate them, as well as the Patriots (also dominant) and any other Boston team that manages to have a successful season.

They're not wrong -- that's not the problem -- although the Red Sox are still going to have to deal with the ACTUAL New York Yankees, who trailed us by only two games at the end of the season, still have the best offense in baseball (and this year, they very nearly did look like the "best offense ever," as they were hailed by Tim McCarver in post-season 2006) and, oh yeah, have a whole bunch of young pitchers coming up.

Maybe the sportswriters are right -- the Sox are the New Yankees. The Bronx is dead now that Torre's gone, and Boston is the new sports powerhouse.

I'm a longtime Sox fan and as such, I've seen some disappointments. I came into this thing just after the '86 loss -- a bitter pill to swallow for fans who really do go crazy when the Sox looked like they might do it "this time." The late '80s and early '90s didn't bring anything for the Sox that was great, but the late '90s did bring the resurgence of the New York Yankees -- which was really more of a return to form for the most dominant team in sports.

Just remember this: if the Sox are to become the dominant team in baseball, we're going to have to beat the Yankees year after year, who, in case you haven't noticed, have been pretty good.

Coffee is still rad.

Check out this excellent piece in the New York Times.

It's an article on "Direct Trade" coffee, the method of importation favored by Intelligentsia, Stumptown, and George Howell, and other top-tier coffee roasters.

This process still amazes me -- the coffee buyers from these fairly small businesses travel around the entire world, from Guatemala to Indonesia to Rwanda, doing what it takes to ensure quality product, which often involves stuff like donating bikes to rural African farm workers. It also results in top-tier farmers making far more money for their product than on the coffee commodity market, even for Fair Trade-labeled product.

It seems seldom today that capitalistic interest dovetails so squarely with development and humanitarianism: although this was not always the case, it's refreshing to see things going the right way sometimes.

Man I am such a sucker for coffee. Fuck. I'm going to go drink like eight cups right now.

JESUS VIDEO NEWS

Welcome to the JVN network. First up tonight: I am definitely going to hell.

I have been working on my submission for the soundtrack, and well, here it is.

It's my cover version of a traditional spiritual that I have an album of Lightin' Hopkins singing. Anyway it's a pretty straightforward deal with me signing, no fancy production or techno-dance beat -- I'll save that for the Trent Reznor style single.

And even better, I've actually started editing the thing after I figured out that basically every free option out there is actually worse than windows movie editor.

This is happening people. I mean, it may suck, but whatever.

Extra Rich.

Did you know about this? Clover Stornetta Dairy of Northern California (my personal favorite milk producer, apologies to some other prominent dairies) makes milk with extra fat. Notice that label though: more milkfat than state minimum requirements. This isn't straight off the cow by any means -- this milk is made up of constituent ingredients (milk, non-fat milk, and in this case, cream) like most commercial milk, then blended to the required fat content.

Now, I'm not complaining -- this is obviously the easiest way to do it from a commercial standpoint. But it does kinda destroy the image of a pure, natural ingredient.

This post has been dedicated to Richard J. Seymour.

Sea change

Hello.

I have changed venues all of a sudden, going from the high-end luxury world of wine to a university town, Palo Alto. A high-end luxury university town, sure, but it's still a big change.

In September, I'm going to be starting a one-year MA program at Stanford's CCRMA, where I'm going to learn a whole bunch of (hopefully valuable) stuff, and hopefully make some music as well.

Also new: bicycles. I bought a couple of kickin' older bikes for Brett and myself: for her, a Peugeot City Express, a sturdy hybrid bike from the '80s, and for me, a Miyata Triplecross hybrid. We're not exactly going spandex and carbon fiber here, but it's actually really nice to use a non-polluting human-powered vehicle to get where you're going. We have kept one car (my SAAB blew its head gasket and I sold it for $400...just about what we spent on the bikes plus accessories) so we're not exactly carbon-neutral, but it's a start. Bikes are incredibly efficient (5 times as efficient as walking) and actually don't cost much, if any time, compared to cars for our commute. Also, keeping up an aging European bike is still far cheaper than maintaining an aging Euro car. We'll see how we feel when it rains, but for now it's really great.

Vinyl.

Bam. There it sat, a u-line record mailer, laying next to my door, nearly overlooked.

I opened it, greeted with a couple brown protective layers, discarded soon enough. Inside the album, a jewel a bit more than twice (four times?) the size of the compact disc; the cover art large enough to communicate the idea that the front photo was taken on a grainy medium-format in bad light; the seal, only a nod at an idea on the cd package, actually sealing the gatefold double record package. A peppermint-stripe slipmat as a bonus.

Kick ass. Two 180-gram doses of vinyl love, the Icky Thump release.

Let me level with you. I like vinyl. I think it sounds better. Most of the time, it's a feeling, an idea that the vinyl is a bit more spatial, or has a bit more "depth." This time I've got proof, as long as you're willing to record your vinyl copy and compare the waveform to the one you ripped off your cd.

Not willing to do that? Well then just listen to the record. It's special. The bass drum sounds deep and round and really, really loud -- just like an unmuffled bass drum in your garage kit. I'm really sorry that CD listeners are going to hear a distorted version with nasty digital sound artifacts. The CD version sounds like somebody ripped it to a low-quality mp3 and then burned it. It is seriously messed up.

Listening without the horrible distortion messing with my head, I've come around on a few songs -- Rag and Bone is my new theme song for craigslisting; I even like the thrashing Little Cream Soda ok. Listening on vinyl also paces the album better; without a pause, I get a bit worn out between I'm Slowly Turning Into You and A Martyr For My Love For You; with a side change everything is cool.

The vinyl sounds fan-effing-tastic: the highs shimmer up out of a well of deep bass; yes, the sound seems spaced better, too. But best of all is that deep bass hit, which was clearly meant to be the star of the album, a motif for bringing the whole thing together. It's deep and thick and clear loud and clean; this is the icky thump the album was named for, and it's a shame more listeners won't be able to hear it.

Clipping

This clipping issue on Icky Thump is bothering me more and more. I need some closure.

(Start reading just above {rant ensues} for my take on the issue)

Jumpin' it

It's just like Sick Boy said: "...at one time, you've got it, and then you lose it, and it's gone forever."

When Jack White dubbed bass onto the first single of his fourth album, Elephant, I think that we all new a phase had come to an end. What's more there were no incredibly catchy, and also incredibly simple brain-stickers like You're Pretty Good Looking or Fell in Love With a Girl. Sure, there were plenty of great tracks on that album, but it was, well, different. It wasn't as clean and simple and joyful as the first three albums -- but then, we said, that's development, isn't it?

Fast forward a few years to Get Behind Me Satan -- Blue Orchid is, just as was intended, a total blueball experience, kicking off an album with far more orchestration than any of the previous four, one in which the sessions were fraught with problems, with off-rhythm crashes covering messups...but an album that seems to get better with age. The creepy "Did Jack sell his soul?" feeling, enhanced by the giant heart at the live show, the ghostly theme, and Rita Hayworth popping up again and again...and maybe best of all, My Doorbell, a song just as catchy as any Jack'd written before.

Then something unexpected happened. Jack White made an album with an old friend and released an album with a few incredibly catchy songs, that had a single which hit higher than any White Stripes single had.

And that, I think, is when it happened. The shark was jumped.

There's no shame in it -- it happens to everyone. Led Zep, the Stones...the Beatles...well it woulda...Paul has anyway. Often it happens at the moment of greatest commercial success -- didn't Led Zep IV turn that band into a caricature forever, even though they put out several excellent albums afterward? Michael Jackson did it with a ride at Disney World, for goodness sake -- at least he didn't go out like that!

There's nothing wrong with the album really: Icky Thump is a great tongue-in-cheek riff...there's a lot of play-acting and character creation here, which, yeah, Jack is good at. A south of the border theme? Timely. There's a fake-country last song...bagpipes...(Battle of Evermore?)...blah blah blah. Jack's guitar work has taken shape much more than even on GBMS...he's a true stylist as a lead guitarist now, which was of course missing from the early albums. But some of Sasha Frere-Jones comments about the previous album hit home with me now...yeah...Meg is really not that great a drummer, and her signature rides finally feel old here. But really the problem is more visceral...I just don't feel the boundless giddy joy that the old albums make me feel, even though most of the tracks are good. It's lost the sense of effortlessness that the old albums had, and as a listener, I need to labor as well.

And...worst of all...does the album keep breaking up audibly, or is that just me? This isn't warm sound of tape breaking up...this is the sound of digital equipment clipping. CLIPPING. Captured for all posterity in unchanging digital fidelity, never to be smoothed by a needle travelling again and again over the peaks and valleys of its waveforms.

{rant ensues}

It's for real. It's on the left channel, throughout the damn album...I'm not the only one who noticed. That, my friends is a fuckup. A big one, if you ask me -- am I going to have you buy the vinyl to avoid this? The answer, my friends, may be yes.

Oh, don't believe me? Ok -- does your system have a decent set of tweeters? Should be easy then. Put the cd on. Stick your head near the left speaker. When it gets loud there's a chhh chh kinda sound when the guitar is big...that's digital clipping. If you don't believe me, rip the track and look at it in Audacity. It's too hot. The lines go right from the top to the bottom, and then at the ends, there are flat spots -- that means the rest of the curve is lost, and the sound is distorted. When it's done right, the waveform looks curvy, and the biggest peaks just get near the edges -- they never go over.

Whoever mastered it (Vlado Meller, whose oeuvre includes Kenny G's Faith and Celine Dion's Let's Talk about Love, and, ok, Weezer's Green Album) just put it on disc too hot, and it sounds messed up. Obviously messed up. That is, as I understand it, exactly what you're trying to avoid when you master a disc. If I were Jack White, I'd have his head. As a consumer, I consider this recording to be defective.

But then if I were Jack White, my album just debuted at #2 on the US charts, and basically, even if my album is f'd up, it's still the hottest shiz out there. And all you rockers still need to buy my album...even if it (and I) have crossed over an important boundary, and lost a little something.

3than.com

Just so you know, some really exciting stuff is going on over at 3than.com, which as I'm sure you know, is my website. Specifically, I'm working on it. Right now, I just put up some actual content, in the "found sound" section; there are a couple of mp3s up there, some of which you may recognize, considering that well, if you read this page you probably know me pretty well. Also you can look at my resume.

I'm going to put up some better stuff just as soon as I invent/create it. I promise.

I just pulled out a hair.

Here's the thing, though...it was a gray hair. And it was in my ear, on the outside of the lobe, just about a the level of the ear canal. I pulled it, expecting, for all the world, nothing more than a stray blondish strand, or perhaps one of the odd reddish twisted locks that seem to have crept up beyond my hairline.

But no...a few quick pulls with a tweezer, and there it was, glinting silver on the tip of my finger; a sign of my body's hopefully slow, but decidely sure, breakdown. The progress toward an inevitable end.

Yes, my first gray hair. And hopefully not my last.

Some other stuff...

From LITWC...check this out. It's an interesting piece -- Joshua Bell pretends to be a street musician at a train station in DC -- and nobody stops. Duh. It's the morning -- people have to be at work, and most employers don't appreciate it when their employees show up late. Simple as that.

I wanted to point it out, however, because it's one of the best uses of multimedia that I've seen in a newspaper -- edited sections of video are used to illustrate points from the story. This is the reason why we're not going to be reading the news on paper anymore. It's an effective use of media; it has the "you are there" quality of video without the "you are an idiot" effect of mass-media TV news.

So...this is the first truly legit latte art that I've been able to make...you can see that a few of the bubbles have started to pop there, because instead of drinking it immediately, I ran and grabbed the camera (obviously) and let Brett take a pic (you might be able to tell that too, from the quality of the picture).

Anyway I was pretty jazzed, but I haven't been able to do anything quite this rad since.

I bet Mayer couldn't do that.

Finished!

OK -- I think we both knew that we weren't finished with this.

Customarily going for overkill, I bought a NOS (that's new old stock, meaning an unused vintage part) 5" Zenith speaker and popped it in there; then, a plain brown shipping box and voila! A totally finished practice amp that runs off a 9-volt, gets loud enough to annoy my faithful girlfriend, and can still be used to store some stuff.

It seriously sounds bitchin' too; I'm sure I'll post some sounds up at some point.

In other news, www.3than.com is up again, though without much stuff on it at this point. Stay tuned.

MAKE my day, punk

That, my friends, is my latest creation. I'll admit that I didn't come up with it, but hey, it still rocks. You can also see the my level of handiwork: I couldn't get it to fit in the box (because I chose the box last, so it was a random shape) so I just stuck everything on one side of a stoned wheat cracker box.

Continuing the nerdiness, I quickly jammed out a couple .mp3s with it. Check it out here or here. Not bad for around $20 of parts per amp, huh?

Oh, and check out my rippin' guitar shredding. AND THAT'S NOTHING, BTW, JOHN MAYER!

About the recording: that's an Audio Technica at2020 condenser near the speaker (as pictured, maybe 8-10 inches away) and the left channel is a directional condenser (MXL 993) pointed at my strat. The second .mp3 also as my Maxon OD909 running. There's no processing on the tracks, except for normalization on the first one.

The speaker is a tiny, tinny driver stolen from my old pc. I think I may get a larger speaker to unleash this tiny monster.

Yeah, Make rocks. Now I'm going to rip open my other b-day gift (the year one box set) and drool over some more projects.

OK, so it's been a long time.

Oh, I know what you've been thinking: that other whine country blog has got me licked. Or maybe I read Living in the Whine Country, and just put my tail between my legs and gave up.

Not so.

I checked that first one in late August last year, and I thought to myself, "Shit, this guy is posting all the damn time -- he's totally going to win the "best blog with the name Whine Country" award or some crap. But look who's on top now in a google search. Me. Ok, I'm not up there with litwc, but shit man, that guy has like five posts from the last two days. And at least two of them have fairly cool stuff (ruggedized military usb drive, insanely creepy video of a chick with two heads).

Whereas those other blogs may well post more often than I do, and sure, they're probably better written and stuff, but I have one thing going for me: I AM COMPLETELY INSANE.

Which is why I am taking this moment to announce the identity of my arch-enemy: John Mayer.

Sure, he's got the fame, the money, the women. The custom stratocasters. The guitar trio.

IT SHOULD BE ME, DAMMIT!!! I could have written those crap pop songs. Your body is a wonderland. Dammit. It's so obvious....

I will not cease to fight against this oppressor until I have vanquished him in an all-out guitar duel, a la Ralph Macchio vs. Steve Vai at the end of Crossroads.

Eat that, local blog competition.

Bourdain in Beirut

I saw something pretty remarkable last night: Anthony Bourdain's show on his experiences in Beirut, during the war of last July.

Brett and I have been on a bit of a Bourdain kick recently; we caught a couple of his shows, and then she had the chance to interview him for the Bohemian. She also started reading his book. Friends will also remember that it was his restaurant in New York that ended my several years of vegetarianism, and it was on his advice that I bought a Global knife. We went to his reading in Sonoma, and I must say I was impressed. He seems to be a very personal and "real" guy who just happened to get lucky and famous, and now he's living his dream. Also, he really knocked 'em dead at that event.

I had also heard, of course, that he was one of the American evacuees of the Beirut bombing.

Yes, it is extremely weird to view war through the lens of foodie culture. And yet in this case it was highly appropriate, I think. Beirut by all accounts had come a long, long way, and was just on the verge of becoming a real tourist destination for westerners. It was also, as Bourdain said during his reading, just what the neo-cons are supposed to want the middle east to become. It was a booming, pro-business, multi-ethnic, tolerant, and westernized place. Althought I had never really imagined travelling there before, seeing what it was like really made me wish that I could go. (Especially since I am extremely deprived of middle-eastern food in Napa; there's a persian restaurateur, but he basically serves California-type food.)

Bourdain started shooting the day of the Hezbollah raid which captured two Israeli soldiers; that act, which resulted in the death of seven other soldiers, initiated the bombing which basically destroyed the city; it easily killed hundreds.

Bourdain and his crew were whisked away by an american security consultant, and watched most of the war from a hotel above Beirut, to the north of the bombed area. From there, it seemed oddly clear: the unassailable machines of war scattering death throughout the city. I guess I'm an unrepentant pacifist, but I just don't get it -- the urge to escalate, to completely destroy the enemy, seems so obviously wrong. It seems so clear that it will end up causing more total pain and death, that I find it difficult to understand why rational people choose it.

Now, yes, there are more obvious examples: the enemy footsoldiers approaching your borders, murdering your families. I would take up arms. I understand the desire to stop terrorism; it's just that it's clear that conventional military force is pretty much useless against it. In fact, as in the case of Hezbollah after this war, it usually feeds the terrorists. The use of massive force cedes the moral high ground to the terrorists, at least in the eyes of those in the theatre -- who are the very people who will be recruited into the ranks of those terrorists.

We need to find a better way; we need to create a lasting peace in Israel. Yes, the tactics of Hezbollah are abhorrent; they celebrate violence in a way that is extremely damaging. And yet they are responsible for much less death and destruction than our side, the peaceful, tolerant westerners.

So that's all. It seems like a perfect metaphor, though -- one moment, we are eating kibbeh, enjoying the fruits of tolerance, going about our existence as though there were no problems in the world, and suddenly, the forces of violence and destruction wipe it all away. I feel as though, despite all of our attempts to deal with terrorism, we are still ignoring it in the ways that matter.

Git 'er done

I swear I'm going to fix this truck, just as soon as I get this hose off the radiator with a pipe wrench. Maybe I should have drained the coolant first, or at least let 'er cool down...

Check out the reshaped 'burn. Very key.

Mullet Over

I don't know if you've had this experience, but when harvest season starts off with your boss giving you a mullet cut in front of all your coworkers, well, enough said, really. I mean, you've got a mullet, so that's pretty much all there is to talk about.

A word on the mullet: now that I've gone right through to the other side of mulletdom, obviously I have a new perspective on things. First off, it's true what they say: it's all business in front, and you've still got the party in the back. It's really the best of both worlds. I mean, your hair is out of your eyes, so you can go ahead and do your framing, laying concrete, siding, digging ditches, or, as in my case, winery lab work. And yet, you're still obviously out to have a good time. Yeah, you're a party guy.

Also it should be noted that, should you choose to get a mullet, your friends pretty much will talk about it constantly for the entire time that you've got the hairdo. Your coworkers will get over it in about two or three days, but if you, say, unexpectedly go to a party with your new mullet, you're pretty much the center of attention. If you were to, for instance, walk down the street in the Haight and meet some friends, they pretty much won't get over it, and people will start talking to you spontaneously in bars and such. And want to take pictures with you.

Yes, you will need to grow the 'stache as well. Of course you will. The mulstache is part of the look, you can't half-ass this like your fuckin' faux-hawk. A faux-mullet isn't going to fool anyone. That's just a bad haircut, not the rank, over-the-top class-defying mindfuck of a hairstyle that will make you the coolest kid in class for like six months, when some other guy goes for a mullet and suddenly there are two trendsetters, not just one.

So that's my call -- it's got to be done. All of a sudden, you're way more amusing and hip than you used to be with your new mullet, and you can say, when it's all said and done, I did it. I brought back the mullet almost single-handedly. I saw an opportunity and I took it. I was there before the people in Levis and iPod commercials. I was there before the kids in suburbia grew out their hair, before the hipsters in New York and LA grew rattails. I had the balls that the mullet-watchers don't. I went somewhere they were deeply afraid of. And it was good. For about two weeks.

A day in the life

Or, at least, an email in the life.

From Rich:

Well anyway, here is the latest of the best (and worst really in a way) achewood:http://achewood.com/index.php?date=08232006(it's clickable as well)

-Rich

My response:

That is so apropos, really, seeing as how I recently watched the 1971 film Le Mans starring Steve McQueen -- not rally cars of course, the Le Mans was sports cars, but there are a couple of really gnarly crashes in it.

It reminds me of the end of the Italian Mille Miglia, when the Alfonsode Portago, a Portuguese nobleman, killed eleven spectators when his Ferrari careened out of control after a tire blowout. Tons of people have died racing automobiles, although we tend to think about that as a thing of the past.

Of course we enjoy the fruits of all those high-speed pursuits when we fire up our modern automobiles with airbags, disc brakes, and multivalve engines. Worth it?

That's the end of the email. And it's the end of August -- that means it's almost time to fire up the industrial machinery and start crushing the almost 9000 tons of grapes that will come through the 'wood. I've got to finish up my pre-harvest prep. Including hiring another lab tech -- know anyone?

I bought a bunch of espresso pods for the Solis -- so far results are mixed. Pretty poor really -- I can only get a decent shot maybe half the time, which is weird because you'd think they should be more consistent if anything? I dunno. Got some decaf pods too, which is cool.

I have to finish up cleaning and go home. Such is my glamorous life in wine country.

Dude --

Check this out. That's right, another blog with the same name, from the same place, with way more posts than mine. This can lead to only one conclusion: my blog name is totally weak. Oh well. It may be too late.

So I've started a new project: I'm going to try to make a chronological chart of my material obsessions over the past few years. After all, the impetus to change career and get into the wine business started off as an obsession with food and wine beginning in 2002-2003; since then I've been obsessed (as documented by purchases) with: handmade persian rugs, coffee and espresso equipment and autombobiles. There were also occasional flare-ups of some "background" obsessions: hi-fi audio, guitars, and computer gear.

The real difficulty of this is finding a good way to graph the intensity of the obsessions in addition to when they are active. I think we may also do a chart for Brett's obsessions: moving to Europe, Swedish handicrafts, being an artist, etc. I believe that this exercise will be most informative.

Long time no nothing

Hello, gentle reader. It has been too long since my last entry in this forum. A brief synopsis of what's been going on: Brett and I visited Richard in L.A. Richard, who has a diagnosed mental disorder, was institutionalized. At around the same time, Israel invaded Lebanon, quite possibly starting a larger conflict in the Middle East. Then, Brett and I moved. Also, my boss quit and I got a small promotion at work.

So...yeah, it's been busy and rather stressful. I will expand on some of these topics later if anyone is interested. Or if not!! That's the great thing about a blog. Anyway, toodles.

Fast, Cheap, and Out of Control

OK people -- tired of Koyannisqatsi? Add this one to your list of mind-blowers: documentarian par excellence Errol Morris' 1997 masterpiece, Fast, Cheap, and Out of Control.

It's about four people: a topiary gardener, a lion tamer, a specialist in naked mole rats, and an MIT robot scientist. It sets two of the characters against the others, in a way...on one side you have mechanation, trans-humanism, and insect social structure, and on the other you have the total control of nature and animal instinct. It's totally brilliant and makes you think more than once about, well, everything. I don't want to spoil too much, but pay attention when they start talking about feces. It'll make you squirm for sure.

All this makes me think about what I love about car racing, especially vintage car racing. Actually, I don't care much for modern car races, but with the old cars, I'm totally mesmerized. It's because it catches the entire evolution of automotive development: they start off with these pre-war cars with like 25 horsepower and end up with 1960s V8 monsters, and all the while they balance the power and handling...and it's all a pointless pursuit, more or less. We would have all been better served if they'd built a train system that goes everywhere. But there's something caught up in the intersection of the technical struggle and the beauty of the sheetmetal designs that, I would argue, embodies the best aspects of humans as a species. We have an enormous capacity to create diverse forms of beauty. This is obvious. What isn't so obvious is the relationship between beauty and pointlessness. I seems like it's at its peak when the entire exercise is utterly pointless, like wild animal shows: They're dumb: downright stupid, but there's a certain awe about them that's impossible to deny. But it's almost the as great when an everyday task or need is transformed by an invention: I would argue that as a society, we "Americans" are totally in awe of the automobile. Look at all the people that commut in pickups with giant v8's, or new sportscars, and tell me that this is the product of a rational mind.

Anyway that's all for now. Throw that one on the queue, and if you can stomach another documentary, put Morris' late-1970s masterpiece Gates of Heaven on there as well. Two words: pet cemeteries. Pet cemeteries that I've seen with my two eyes -- and Brett has recently written about.

Vintage Race 2006

I know that you have been waiting patiently for an update, gentle readers. And I think that I do have something that might interest you.

Our story begins last year, June 5th, 2005 -- Brett's birthday weekend, and I've already messed up by not getting her a cake. Oops, who knew it was such a big deal? My plan for recovery, you ask? Why not take her to the Jaguar Vintage Car Classic at the Infineon? I mean, what girl doesn't like that?

Oddly enough, she consented. And odder still, once we got there, she loved it.

Really! She loved it. Both of us got teary-eyed, sitting there in the sun watching an amazing array of old racing and sports cars, not in a museum, but cranking around a racetrack, screaming their hearts out. And she hasn't stopped talking about it since.

This year, we brought the camera and she, Brett Ascarelli, my fabulous in-house photographer, snapped some shots. Here are a few favorites:

These cars are so damn small!




Check out the smoking E-type -- it had to retire after about two laps. Too bad -- that was the mid-late 1960s production sports cars race, and it's fun to see the E-types in a race dominated by Shelbys and Corvettes.







Next up is the "Piranha," a crazy kit car that's based on a Corvair!!! Unsafe at any speed!










But here's my personal favorite: unbelievably, there were a couple of SAABs on the track that day, Sonnett V4's, which were actually raced! About 2,000 Sonnett V4's were produced, a fiberglass-bodied two-seat sportscar. And I totally love them. They were powered by a ford v-4 good for about 65 hp, SAE. Probably like 50 by today's measurements. But they were out there, and they're beauties.

Performance

Above is a picture of my first successful performance modification: I have added an "intake" to my old Saab. Perhaps this isn't so impressive, since really it just consisted of removing the factory air filter assembly and bolting the new, larger air filter in place.

Translation: I have found another geeky obsession to bore you with.

Well...that's all for now. I was really excited about it for a minute.

I'm a friggin' mechanic all of a sudden.

So this monday, after spending the weekend ordering stuff for the "new" car and getting its oil changed, I was greeted by an unwelcome occurance: a terrible squeal from the engine compartment, followed by a small "clunk," heralding a major change in the material status of the alternator belt, and ushering in a new era of tool-time for yours truly.

Despite the $92 pre-purchase inpection and around $500 of work done on the car since then, my reputable but perhaps overworked mechanic in Sonoma had no idea that the alternator belt was on its last legs, or even, apparently, that the car is meant to operate with two belts instead of one. Oops. This does not bode well for the aforementioned timing chain rattle.

Flash back to Monday morning, around 8:30 AM, (nearly the same time and day of the car accident that has caused the automotive content of my life to rise so drastically). Myself, calling the shop that works on Brett's car:

(Ring ring)
"'s Auto Service."
"Yeah, I've got a question for you -- how are you guys with older Saab nine hundreds?"
"Uh...we don't work on Saab 900s (you idiot)."
"Um...ok, thanks..."

Next shop no answer.

Next shop:
"Selbach European."
"Uh, yeah, do you guys do Saabs?"
"What's the problem?"
blah blah...
Them: "Yeah...well, we could take a look at that. Thing is, we're just really busy right now. I mean, wow, we are plowed under..."
"O.K. well, thanks, maybe if I can't get anyone else to do it, I'll call you back."

Moments later I order a set of replacement belts from a Saab website, resolving to do it myself. Today, Friday at 6:30 pm, they are on the car and took me to work today. However, that was not before a mishap with the order (two power steering belts, one alternator) that delayed all of this by two days.

Not to mention all the grease and dirt on my hands, and teaching myself with the help of a book how to do it. That said, it really wasn't too bad, despite the Saab "backwards engine" setup, where all the belts are right near the firewall. All the bolts turned easily, and I didn't even cut myself; as long as I get home tonight, I'd say it was pretty much a success. Now, here's the big question: will I now be emboldened to tackle further projects with this (my only) car? I've heard that it may be possible to deal with the timing chain rattle by replacing a guide accessible under the valve and timing cover; this may have the fringe benefit of clearing up a major source of possible vacuum leaks, the valve cover gasket. And of course, here's the big question: could I deal with the project to convert the car to a light pressure turbo? Most of the parts come from the turbo engine and are a direct fit, although it involves replacing a whole lot of them. It would mean a probable 10-15 hp gain, and a gain in fuel efficiency as well (so far the 2.1 naturally aspirated engine is getting worse mileage than the old car with its far more powerful 2.0 turbo.) But would the gain in efficiency offsetthe price of super?

I have spent a whole hell of a lot of time thinking about this stuff since my old reliable auto was destroyed. And money. Back in the day in NYC I spent about $60 to $70 a month on transportation, a little more if I took the bus out of town or took a cab somewhere. Furthermore, it was all electric and I could read while I went to work. Sure, I've caught the car bug, and I love the joy of the open road and all that, but I could sure do without the extreme cost ($3.25 for 87?) and the life-threatening auto accidents.

But this just looks right...

Well I must admit I miss the rush of taking Pete's Audi for a spin with the top down, but we all know that when you get down to it I'm a SAAB guy. I found this baby on the side of Highway 12 in Sonoma; my co-worker spotted it. It's a 1991 SAAB 900S with 164,000 miles on it, in remarkably good condition. I had it checked out by Universal Auto in Sonoma who gave it a more or less clean bill of health, and did a bit of work on it. Well, it has a coolant leak -- I think that it's a just cracked expansion tank -- we'll see tomorrow. 1991 introduced the 2.1 liter naturally-aspirated four in the "S" cars, which has the reputation of being the most problematic of the classic 900 engines, but I think it should take me a few more miles. I'd like to swap in a rebuilt turbo engine someday; it would probably cost me a few grand, but it would still be much cheaper than a whole new car.

There is one big problem though -- the heated seats don't seem to be working. The guy who sold it to me swore that they worked, and maybe they did before it sat through this rainy winter. Maybe a mouse took a liking to some wiring? Maybe somebody stood on a seat and broke the wire in it when they were cleaning it up? Anyway, I'm going to find out.

And I really hope that nobody runs into me -- although it seems they're trying. Going around the bend between Ravenswood and Viansa today, there was a tractor coming the other way on the highway with its blinkers on, and a long line of cars waiting patiently behind it. All except one -- a brand new silver Corvette, screaming towards me in my line AROUND THE FUCKING BEND. I hit the brakes (he didn't) and we came within probably 3 feet of highway head-on collision. I mouthed "motherfucker" and drove on -- but I swear to you if we'd collided, I was about this close to pulling his battered, midlife-crisis body out of that fiberglass piece of shit and beating out of him whatever life was left. The other accident was, at least, just that, a simple accident caused mostly by road conditions; this was a really, really stupid decision that could have easily cost that asshole his miserable life -- and mine, which I was planning to do some things with. Right on the other side of the bend, a few hundred feet away, is a straightaway with a dotted center line for passing, but no, he just couldn't wait.

I hope that he realizes what a lucky guy he is tonight; if I had been driving Brett's car (which has shitty brakes compared to the old SAAB) or if I just hadn't been paying attention, he would've ended up with that big ol' engine on his lap.

From across the void...

The other day, as I was driving home, I heard a recording of a call to 911 from a victim of the 9/11 attack. It really brought me back.

I've told this story a few times but somehow I keep feeling the need to retell it; somehow I don't think I've quite done it justice yet.

In terms of weather, September 11th was about as good a day as it gets in New York. The sky was preternaturally blue, and totally clear in every direction. I lived at that time in "South Williamsburg" Brooklyn, two stops outside Manhattan, right underneath the elevated tracks for the J-M-Z. I'd recently bought a digital camera, and for some reason I had thought of bringing it to work with me that day; in the end, I didn't.

I read novels or the New Yorker on the way to work; I took the J train back into Manhattan briefly, and then caught the F back to DUMBO, (Down Underneath the Manhattan Bridge Overpass, the stupidest acronym in New York) in Brooklyn. As the train made its way slowly over the Williamsburg Bridge, a woman exclaimed that "that building is on fire." Nobody paid any attention, really. People say lots of things, and the view of the towers is often obscured as you go over that bridge. I looked up long enough to see what she was talking about, and think to myself, isn't that the World Trade Center?

I also remember thinking to myself that the black, gaping hole looked a lot like something I'd seen in a Hieronymus Bosch painting. Specifically, I think, the right panel of The Garden of Earthly Delights.

My commute took me back underground; the question, "Hey, did you see the fire in the WTC?" went on deck for small talk at work. By the time I reached the York St F stop, the second tower had been hit. A column of smoke trailed over DUMBO. A woman said to me as I walked, "Two planes hit those two buildings," and I answered, "No, it was only one!" I imagined a single-propeller plane, far off course, losing control; I also remembered the famous statement about the WTC: that it had been engineered to withstand a plane crash.

There was a clear line of sight from my workplace to the towers; it was just over the east river from them, and there is a famous park there which has views between the two bridges. I saw the two towers smoking from just in front of the entrance, and then went up to the sixth floor. There, I found confusion. No one's cellular phone worked; we had no radio or television (not that it would have helped us, since the antennas were on the towers) and most websites were down. The New York Times frontpage would sporadically load; the best connections seemed to be with IRC servers, far away. The conversation was about the attacks; that was where I heard about the attack on the Pentagon. Also I heard there were five more jets in the air, and that fighters had been launched to intercept them, and many other crazy things. I heard about leaflets dropped from the planes, as well.

Some of my coworkers went up the the roof to get a better view. There was a janitor up there who wouldn't let us on the roof (building policy) but we looked out through the door, which framed the towers against a background of pure blue. We could see things falling from the towers: people jumping. A coworker of mine, Shu Li, brought his camera and recorded it.

Back in the office, more confusion. I remember seeing people leaving Manhattan, walking over the Brooklyn Bridge, from another office suite. We desperately searched for information, and tried to contact our families (who often knew more than we did about what was going on) and it was from one of them that we heard the first tower had fallen. After that the office gathered down on the street to stare at the other tower; it fell as well, with a sound like bricks being thrown into an empy dumpster, and just as loud, even on the other side of the river.

I walked home through Brooklyn that day; a little south of where I lived, the Hasids were giving out water to those who were walking home. At home, my roommates were on the roof. They'd received calls from family telling them what happened while they were asleep -- no jobs. That night, we went out to a Mexican restaurant on Bedford Avenue that was operated "cash only" as a sign proclaimed on the front door. I remember saying that if I were President Bush, I would immediately invade Iraq, regardless of actual causality. Turns out he was thinking the same thing.

For me, and I think for many people who experienced it, even through television, the whole even has been relegated to a strange, surreal part of the mind: the "antipodes," as Aldous Huxley called it. A place that we don't visit very often, because there's no real way to understand it. The recording of that phone call brought me back there, to the time when we were all struggling to understand what was going on and how to react, when a 911 call, even a fire in the World Trade Center, might be business as usual on some level. Stay put and we'll come get you. The implication in the fireman's voice is "we've all got problems," a very New York attitude, I think, and on some level reassuring: they know how to handle this, calm down.

If only it were. It seems to me that what has followed has been worse than what happened. It was a terrible thing, it changed all of our lives, and it changed them for the worse. It has provided an excuse for war that has killed many more than died that day, and a basis for the terrible fear which pervades our society. Yes, some people are exploiting that fear, but that cannot last forever, and I hope that we can see through it soon. Horrible things can happen to anyone at any time, a point which we seem determined to prove. But the way forward is along the path of justice and wisdom, a path from which we have strayed. It seems that many statements beginning with "September 11th changed the way we look at..." often point away from lessons we have spent many years and lives learning.

And why should we all be there at 7:30?

Sometimes in life, things just don't make sense. One thing leads to another, unforseen complications arise, causality is indirect or simply lacking.

Around a week ago, I found myself at a party, eating sushi off of an ecdysiast's torso. I won't lie to you: in a way, it's a titillating idea. There are a couple of drawbacks, however. The fish, usually served cool, quickly rises to body temperature, the body in question belonging to a mostly naked woman that you, the eater of said sushi, really doesn't know very well at all.

I don't know quite what else to say. Don't try this at home? I mean, no one got hurt...

It should be mentioned that Brett Ascarelli (my domestic partner) took this picture, and also the picture in the "After the Flood" post, and should be credited, as she recently reminded me.

BLAHGTASTIC!!!!!

So, I showed my coworkers the posting with the side view of my car in it, and they all got excited that I had a blog! WOW!!!

The upside of this is I have new readers. The downside is that they'll make fun of me for writing stuff like, I dunno, alternate storylines for the Star Wars prequels, rants about audio or computer stuff, or just about any other topic would actually treat in this forum. The solution: make this blog so dull that no one in their right mind would actually read it.

It's almost as if I'd planned this from the start...

iPod "HiFi"

Disclaimer: I have not heard the product.

Rant: What the hell has happened to home stereo.

In the 1970s, there was a war: this one wasn't related to oil, or terrorism or even communism. It was about winning the home stereo market, and it was fought in Japan, California and elsewhere. Marantz, Technics, Sansui, Onkyo, and many other manufacturers were building stereo "hifi" systems that pushed the envelope in terms specifications and features. You remember what they looked like: silver and shiny, with weighted controls and glowing lights in the darkness. Your dad probably had one until he threw it out in the early '90s or late '80s and bought a some black box that purported to have better specifications. That one probably broke about 5-7 years later, and he got another one. This one doesn't even have a phono preamp, and all the vinyl records your parents once had are not getting moldy in the basement. Then, one day, they just said "what the hell" and bought a Bose wave radio at the mall.

The iPod HiFi is for you, the hip kids.

Here are my objections:
1) Placement. The Apple website shows the HiFi next to your sweet flat-panel TV. I guess the imaging is so good that you can put it anywhere and still perceive stereo.

2) Frequency response. the plus-minus 3 decibel area is 53-16,ooo. I am more or less OK with 53 as the low end -- 40hz is generally considered the cutoff for perception, and a lot of the stuff down there is perceived as "thump." But 16k is just too low for truly detailed high end. There is nothing in the audio world that would describe itself as even close to "audiophile" that has a high end of less than 20k. High-end tweeters are much higher than that.

3) What the hell kind of amplifier is in there? What's the thd? Is it a 50w amplifier with a distortion of 0.01% or is it a crappy 8w piece of shit like what's in every boombox? Hmm, I wonder why there aren't any specs on the website.

4) No nobs or controls on the unit. Oops...where's the remote? Honey? Have you seen the iPod HiFi remote? HAVE YOU???? DAMMIT HONEY I NEED THAT REMOTE CONTROL, I CAN'T CHANGE THE VOLUME!!! FOR THE LOVE OF GOD, WHERE IS IT!!!

Now, that said, if the thing sounds "good," I think that's great. Sounding "good" is certainly subjective, and if it does image halfway decently, and represent dynamics and timing well, I think it could be a steal at $349. I just don't understand why there aren't any tweeters on it.

Mind you, I just bi-wired my Linn Katans (~$900 or so, without stands, claimed performance 75-20k hz) to my Nikko NR-719 amp ($84 on ebay, with luck showed up working) which is a 35w amp from the late '70s that claims 35w into 4 ohms with 0.05% thd. What's more important is that the phono stage sounds basically like you're in the same room with the musicians. I guess what I'm saying is that I don't mind putting a little effort into having stuff sound good -- while iPods and the like are cool, and make it easy to listen to your favorite music, I'd rather work a little, pay some attention, and then have something pay off by sounding great. Plus I'd rather listen to reissues of Son House on Yazoo or Art Blakey lps than mp3s from the iTunes store. Jazz just sounds better on vinyl.

Man, it's been a fricking blogfest today. I guess I really don't want to do my taxes.

Condensed version...

Here is another view of the mangled SAAB. Check out the dimple over the rear wheelwell. The frame is so bent that the rear hatch won't open. They must have forced the doors open -- they won't close. I really could have died here, and I must say that I'm glad my SAABie gave its life to save mine (and the passengers in the other vehicle -- crumple zones help absorb impact that affects the other car as well.)

Drive safe, folks.

Doesn't look too bad there...

Through a wonderful and mysterious set of circumstances, my boss (and when I say my boss I don't mean my immediate supervisor. I mean the guy more or less in charge of Ravenswood's production, the wise and generous Peter Mathis) has lent me a truck. I know what you're saying -- "But that's not a truck! That's clearly an Audi TT Quattro!"

Why yes it is. See, the magnanimous Peter Mathis required the use of his pickup truck this evening, and rather than tell me "Tough luck kid," thereby requiring me to thumb for rides on the side of highway 121, he lent me his well-loved roadster. Which is, by the way, totally sweet.

This is a sports car. I'm not sure which edition this is, but it's either the 180hp or 225hp turbo version. It has a 6-speed manual, which is a wee bit clicky with short throws, but feels sturdier than just about anything I've used before. The brakes are awesome -- if my old 900 had brakes like this, I think that I may have avoided the accident entirely, or possibly just been rear-ended by the pickup behind me. I bet his ABS works too.

You know what definitely works in this car? The seat heaters. I've always been a fan of the feature, going back to the long, cold winters of my youth in Rhode Island. The heaters in our old SAAB 900s sedans would heat up just a wee bit before the engine coolant warmed enough to start blowing cold air. It's hard to describe how satisfying that was. Next to the seat heaters in the Audi TT, however, they seem like 90-pound weaklings at the Gold's Gym in Venice Beach. The heaters in this car were almost instantly noticeable. In moments, they were uncomfortably warm. By the time I figured out how to turn them off, I think I could smell cooking meat. You could probably fry an egg on the passenger's seat while driving, or at least keep your coffee good and warm.

What else? The steering is stiffer than anything I've driven, but feels really good. The car clearly has tons of grip, especially with the quattro option. Oh yeah, and it's fast. Way fast. Not by Lamborghini or even Camaro Z28 standards, but by 1990 Toyota Camry standards it's a screamer. And a revver. The redline is above 6000, heights to which I could never aspire on my boss's automobile.

Anything not to like? I'm not a complainer. But it is widely known that I have little but disgust for most newer cars, with their plasticky silver and heated drink holders. Despite the sumptiousness of the leather (which is considerable) the car's design is a little, well, gimmicky. There is a dimpled-circle motif that is maybe taken just a bit too far, especially since some of it is done in plastic that belies the VW thriftiness behind the Audi's luxo-splendor. That said, all the controls, even the digital ones, feel pretty nice.

If I had the money (surprisingly only three to five times what I'm considering spending on an 850) would I do it? Maybe, which is better than I thought. This car gives a pretty serious sense of control and seems sturdy. I think I would have survived the crash in this car -- the chassis of this car is definitely stiffer than the 900, and it has little mini-roll bars. I think it passes the safety test. The only downside is, of course, the cargo space in the roadster. That and the money of course.

Seems like a good way to cook bacon, though.

And the winner is...

Coupla things. After a great deal of deliberation, it seems that my new vehicle will be...a Volvo 850. The SAABs 900s are too much of a gamble, and the only ones with ABS and airbags are the 1990-1993 models. If I could find one in good condition with relatively few miles, I would do it, but I think it's going to be easier to find a Volvo.

The only problem with the Volvos is that, basically, they're available in either manual transmission or turbo -- even the 1997 low-pressure turbo GLT model is only available with a four-speed auto. So I'm going to try to find a 1992-1996 GLT 5-speed, any color but white. (I am not about to be washing my car weekly, plus white just isn't my style.) I would love a turbo, especially since they cost only marginally more at this point, but the base model still has 168 hp, or just a tad more than the ol' 900 Turbo, albeit with a bit less torque.

I feel like the 850 is pretty much the last chance at having a really "Swedish" car. The post-1993 SAABs and later Volvos just don't have the simple, clean designs that made them feel unique. So, in that sense, I don't think that I'm abandoning my automotive roots. I'm just trying to make my way in a world where automobiles have become a rolling media center and breakfast nook.

Whatever, my issue. Maybe I should just get over it and buy a Grand Cherokee. Why not double my gasoline consumption for a little more room?

End of an Era?

Recent events have caused a rather obvious and yet profound problem. I am, in a word, carless.

The problem is exacerbated by a couple of things. My car of choice, the Saab 900, is no longer produced, except in a debased form by General Motors. SAAB has more or less been dismantled. In fact, its headquarters are now officially in Detroit. Furthermore, even if I liked the cars, I couldn't afford them, seeing as how they are now aimed at the "luxury" segment of the market.

Last year, my father stopped driving them after having done so for 30 years, and I'm afraid that I may have to do the same.

But it gets worse. There are a few cars that I could be happy in, I think. They are cars which meet a certain basic level of safety (for which I have newfound respect) and performance (which I think has a certain bearing on safety) and a wee bit of style. In short, I want a car that runs, isn't a dog or a deathtrap, and doesn't look like crap outside, or have flimsy plastic bits everywhere inside. In cars made after 1998 or so, this is easy -- pretty much every car produced now is a luxury racer with an airbag and a dvd surround massage system with latte injection. I can't afford them.

This leaves pretty much one option, as far as I can tell: the 1992-1997 Volvo 850. More or less in my price range, first front-wheel Volvo, which adds to Volvo's bevy of safety features, quick and stylish. My new ride.

One little problem: very few of them, especially the more desirable ones with leather and/or turbochargers, are available with manual transmissions. I'm afraid I can't stand automatics. I don't feel like I'm driving.

What to do...I suppose it doesn't matter anyway, since I won't have enough cash for a new automobile until my insurance settlement happens (who knows when, or if they won't be able to wiggle out of it) or I receive a major donation or loan. (I've had some loan offers, to be honest, but I'm trying to avoid more debt.)

So what will it be? Anachronistic deathtrap or snore-worthy slushbox sedan? Stay tuned. Also there will be more pictures of the wreck, which currently adorns my lawn. (Insurance might need to see it, y'know?)

Thanks to all for your support.

She's not going to see 200,000 after all.

As in the proverb I think the picture says it all. At about 8:30 yesterday morning, I was driving to work during one of our thirty or so rainy days up here in wine country when an SUV veered into my lane. At the time, it seemed like they had lost control of the car and were just sliding, but I only had about a second or so to judge (and slam on the brakes) before I smacked into them, still going around 40 mph. The red SAAB was my car.

Thank God, merciful Buddha and all praise be to Allah, but I crawled out of the car with minimal injuries. The airbag went off (despite the blinking SRS light) and the crumple zones worked exactly as designed. I'm not sure if the car saved my life, but it sure gave up its life for mine, and I'm grateful for that and the clever Swedish designers that made it that way.

The other car was a family of four, with a pregnant woman at the wheel. The accident induced her labor, and I hear that she delivered the baby safe and sound, a little girl. Her husband (I think) was in the passenger seat and got off with a cut over the eye. Their two little girls made it, too, although I think one broke her leg.

Anyway, I think we all got off as easy as we could have. I'm not really the religious type, but I find myself thankful for whatever force provided my good luck. And saying "Jesus!" a lot.

Also my birthday is coming up -- I'm taking donations for a new (old) SAAB.

Photo by Robbi Pengelly/Sonoma Index-Tribune

One of those days...

I had the worst day ever just now.

I pretty much couldn't do anything right. First thing, as I get into work, my boss yells at me for stuff I didn't do the previous day. The thing is, I was stressed yesterday because I'm trying to get into a chemistry class, which I thought started Wednesday, but really started yesterday, so I was unexpectedly out until 10:15 instead of 6:00. To top it off, super-busy day, with tons of little things going not quite right. At lunch I got upbraided for not getting chips to go with the chili dogs, and not getting cheese on them.

After work, I get home as my girlfriend leaves for the city for a Swedish class. Then I frantically look for my college transcript for two hours, so I can prove that I took calculus...although I will have to take the placement test for the chemistry pre-requisite. Just now, I got a case of the fuck-its and tried to sneak back around the house to see if there was beer in the neighbor's kegerator -- of course there wasn't, and they caught me in the act. (Full disclosure: they're pretty much cool with the occasional missing pint.)

Still, the suckage level here is way too high. Did I mention that Columbia claims that they will only mail out a transcript within 48 hours of receiving my written, signed request? (In the mail today, but still, wtf?) WHO IS GOING TO REQUEST MY TRANSCRIPT? AL-QAEDA? I don't get it.

Then google video claims that I don't have flash 7. Is there no end to this?

Zassenhaus Turkish Grinder

Yes yes. My dad got me a Zassenhaus Turkish Coffee Mill (Model 175M) for Christmas from Sweet Maria's. I took it to work for a couple of weeks.

Maybe I should explain, if I haven't already. At work we have a Gaggia Classic espresso machine, and on my first day, they told me how to use it. Now, I make all the coffees. The Gaggia is a pretty solid machine, although some sneer at it because of its small aluminum boiler -- the best ones are brass or copper. Despite that, it's totally capable of making great espresso and pretty good steamed milk. The boiler size makes it a bit weak for steaming, I think, but I think it would be alright if I just had a thermometer for the pitcher.

Anyway I usually buy the coffee, and it just seemed a shame to me that we had to get it pre-ground. It always seemed better the first day and then to decline by about the third. Plus, grind was an issue -- if I got it at Peet's, everything was cool, but if that isn't possible, then there's a problem.

Enter the turkish coffee mill, a can of Illy beans, and myself after a two-week vacation. Here's the straight dope: the mill is great. Probably the best damn thing since the espresso machine itself. As long as you've got time, that is.

The long version: I get to work and start weighing out 14-gram double shots. The first day's are far too coarse, and I actually started to worry. Maybe the burrs are off? The Zassenhaus' final burr is actually floating, not secured at all, and it took a few grinds to knock them into place centrally. At the end of the first day, I tried the adjustment nut again and found that I could tighten the burrs substiantially more than I had been able to.

On day 2, it became clear that the mill was going to work out. The setting from the end of the first day was basically dialed-in, producing a tiny rat's tail-like trickle. Everything was ristretto-fine, and it stayed that way for a couple of weeks, through the can of Illy and then a can of Trader Joe's Fair-Trade, Shade-Grown Ethiopian Yirgacheffe (which was damn good.) Then I decided to take it home. It probably doubled the time it took me to make coffees. This isn't a problem on Sunday morning, but it kinda is when your coffee 15 becomes a good half hour.

Does it make a difference? (Co-Worker question, many, I'm sure have no doubts about this one.) Yes, an obvious one -- getting the correct grind size is most definitely an enhancement. Plus the freshness. The Yirgacheffe's spiciness came through, and although it dissipated towards the end of the week, it remained quite tasty and satisfying. It reminded me of nutmeg and clove. Illy preground never works perfectly with our machine, so just getting to use Illy and a good grind is enough for me.

One sorta negative though -- the shots with both coffees seemed more sour than before. I'm not sure whether it's a temperature issue, timing, or something about freshness, but some of the shots were just too sour for me, and I like short, sweet/sour shots.

Oh, and all that grinding. Let's hope it's good excercise.

Quick note

Turns out a couple of my friends are, more or less, avid bloggers who write much more often (and perhaps more interestingly) than I do.

Daphne is a tremendously intelligent music writer and ethnomusicologist grad student at Columbia...Rich is a student of science and technology, a grad student in materials science at USC, and an astute observer of techno-cultural trends. Both totally worth reading.

After the flood...

Yeah...it's been a little while since my last post. A lot of stuff happened. Mostly, the holidays, wherein I had some time off, went back east to see the fam and my friends. Blah blah.

Anyways Napa flooded. Floods are crazy. I'm new to this, having come from the relatively disaster-free northeast. Aside from a couple of hurricanes, none of which caused any major damage, I haven't seen any real FEMA-level disasters firsthand.

Well it seems like we're going to be spared any FEMA intervention, but a lot of Napa flooded. Yountville and St. Helena, towns upvalley of us, are effectively cut off and there's major damage. A lot of the town of Napa, where we live, is flooded near the river...about two blocks from us to the east. There's probably about 10-20 feet of elevation, and the plain flattens out around there, so I think that we're relatively safe, for this one, at least.

Brett took this picture yesterday, when there was some sun between the two storms. This guy was letting his kids play in the floodwaters...I guess that the fact that his were the only kids playing in the water didn't make him stop to think. After they walked out pretty far in the rushing waters, somebody whistled and told them to come back, at which point Dad told everybody that it was OK, he knows what's safe for his kids. For my part, I couldn't stop thinking about this John McPhee story I read in the New Yorker a long time ago about how he was on a canoe trip as a kid and this other kid drowned. The unlucky kid got his foot caught between two rocks so his face was underwater and his lungs were filled with water in seconds. It took two days and a rescue helicopter to recover his body. Luckily, we didn't witness anything like that, despite dad's best efforts.

Those vines behind the kids are underwater. Cameron Stark, my old boss at Unionville Vineyards, said that wine country was slowly reverting to the swampland it was before California was strip-mined in the nineteenth century, thanks in part to global warming. Today as we drove back along highway 29 and looked out over the entire lover valley, completely flooded, it seemed easier to believe than in the dry summer months.

Oh, and I found this when I was looking for flood information earlier. Yeah. Thanks for calling me an idiot because the valley gets flash floods for a couple days every five years. At least my city isn't built on sinking silt from the Mississippi. If you ask me, though, the idiots are still the ones who don't fund river control and levee operations. Napa's flood control construction is, just like New Orleans', years behind schedule because of state and federal budget cuts. Oops.

The Wall Street Journal

Brett and I got a free subscription to the Wall Street Journal through some sort of frequent-flyer thing. She really wanted to get a newspaper so she could keep up with the...uh...news. The thing is, we're really New York Times people when you get right down to it. We don't have enough money to really be interested in most of what the Journal writes about.

The other thing is that I really like reading opinion pages. Mostly, the Times opinion pages (most of which I can't read for free on the web anymore.) So...here, on day 4 of our subscription, I got too mad not to write a letter to the editor.

This is in response to a vehemently pro-Bush, pro-war piece by George Melloan called, "Yes, Virginia, the U.S. has a War Strategy," in the Global View column.

The text of my letter:
George Melloan's take on the Bush doctrine and the administration's recent retread of its policies seemed forced and shrill to me. I believe that all of us understand the "Bush doctrine," and, for a long time, a great many of us supported it. The problem with Iraq is that it never truly fit into the doctrine; Iraq, one of the most secular states in the Middle East, was never home to as many jihadists as Lebanon or the Palestinian settlements. Saddam Hussein himself was indeed a sponsor of terrorism, but almost exclusively against Israel, which was, until Iraq's destabilization at our nation's hands, the nexus of terrorism attacks in the Middle East.

To see matters most clearly, compare the campaign in Iraq with that in Afghanistan. In Afghanistan, American and NATO forces intervened against a regime which had been criticized repeatedly by nations around the world, even Islamic states, and which had a direct connection to terrorism. Despite the problems inherent to regime change, the world (and the citizens of Afghanistan) are better off because of that invasion.

I believe that more and more people are finding it hard to make a similar statement about Iraq. The invasion has destroyed the world-unifying momentum created by September 11th, eroded our nation's moral authority, and worst of all, inflicted terrible costs on the people of the Iraqi nation.

But how does this affect our strategy for rebuilding Iraq? In a sense, not at all. But at the same time, how can Iraqis forget the horrible casualties of the "shock and awe" campaign, experiences of midnight raids against innocent citizens because of bad intelligence, and the images of Americans playing cruel games with prisoners in Abu Ghraib?

The Wall Street Journal's opinion pages should take into account that, at least in the case of Iraq, the administration's thinking may be so deeply flawed that whatever strategy they promote cannot provide a solution.

Ethan Hartman
Napa, CA


I think when you get down to it, there are two basic problems with Iraq. First off, George II should have picked a different country from George I, even if they did try to kill his dad. Secondly, the idea of invading another nation to stop terrorism is really a stretch, I think. In addition to the moral issues about removing another country's right to self-determination, it's hard to argue that it's effective. 9/11 was done by like 20 guys, mostly Saudi. We're not invading them. The British subway bombings were done by Brits. I forget who did the Madrid train attacks, but I can remember one thing about them: not Iraqi. What's more, none of these were the army or defense forces of any country.

Terrorists are criminals: they are individuals who participate in a spectacular category of crime, and should be treated as such. They should be apprehended by criminal authorities, and tried with all the rights due to the accused. Sometimes there may be sensitive information in these cases, and only then should the record be closed.

Another thing: in The Front, the 1976 movie about the 1950's blacklists starring Woody Allen, there's a line from the investigator that I couldn't help but notice:

We're in a war, Mr. Brown.
Against a ruthless and tricky enemy
who will stop at nothing...
...to destroy our way of life.

This is, more or less, Bush's line about the terrorists, and if the McCarthyists used the same one, it must be pretty facile. It got me thinking, though -- what if it isn't our way of life that they hate, but when our country takes ill-considered and arrogant actions like, say, invading their country?

I return triumphant.

I must apologize to my faithful readers for my long absence. I have had a busy crush-time this year: soon after my last update, production started going full-steam, and I had very little time for anything but work. Things have cooled off now, however, and now the long off-season begins.

I have been thinking about the usual things: politics, espresso makers, etc. The big news around here is that I used some of my harvest money to invest in a new computer: Brett desperately needed something faster and with more storage for her digital photos, and I was happy to put the whirring beast out of commission. So I did some research and came up with this setup:

Asus A8N-E motherboard, based on the nForce4 chipset.

AMD Athlon X2 4200 (2.2 ghz, 1mb level 2 cache).

2 GB Corsair Ram.

2 250mb Seagate hard drives, striped

MSI nVidia 6600gt video card.

It can pretty much do anything: the dual-core processor is mainly for multi-tasking, media-production stuff, but, yeah, the gaming is a big step up. I got to play the Doom3 demo like I'd wanted for awhile(although neverball might be my new favorite game.)

The other exciting thing about all this is that I think I'm going to install Linux on it. It's been quite some time since I had a linux install on a machine of mine. In fact, I think it's been since 2003 when I left my sysadmin job. I want to do it for the sound programs, especially ardour, the fine, full-featured DAW software that has been steadily progressing.

What else, dear reader? Well...last night I did a reading of my piece published in the last Pearl Necklace 'Zine and I must say it went pretty well -- I even kinda enjoyed it. I think that the last time I did anything like that was also in 2003 or even 2002, playing open mic's with Josh Levine. Maybe this time more will come of it.

Anyway I must leave you now so I can play video games while Brett is at work.

The Crush is On

Hello dear readers. As you may know, I am currently employed in the practice of turning grapes into wine. As you may also know, grapes are a natural product, harvestable only once in a 365-day period, usually sometime between mid-August and the end of October.

That's right, it's that time. Over at the 'wood, we've been crushing grapes since the beginning of the month, and as of yesterday, we've got about a quarter of our total crop in the door. When we've got everything in, that's just the beginning for us in the lab: after that, we monitor all the fermentations until they go dry of sugar, then monitor malolactic fermentation in most lots. Then we get to work on "stuck" fermentations -- the ones where the yeast culture dies before consuming all the sugar, maybe because of high starting sugar which leads to high alcohol. Maybe because of something else. Whatever the case, zinfandel, the great grape of California (that's right, not Cab. Sauv, you Parkerites) is particularly at risk for stuck fermentations. It can have very high sugars (so far, not terribly many this cool year, though) but probably it's some other factor we haven't isolated yet.

Next point: run, do not walk, to your car; start driving north, to a spot outside the town of Sonoma, this sunday before 2pm. I'm talking about the brunch at Folini & Eichenbaum. It's incredible -- went last Sunday and stuffed myself on the wonderful selection of cheeses, meats (they make this spiral-cut baked ham that's incredible) eggs, (a sort of savory custard called strada is a standout, as are the made-to-order benedicts) salads, bagels and lox...mmmm...and don't get me started on the desserts. Cheesecake, carrot cake, truffles. The amazing thing is that everything is such a high caliber -- it was the best brunch, quality-wise, since I had the smorgasbord at Aquavit in New York several years ago. The quiches and eggs are incedibly delicate in texture, the meat intensely flavorful, the salads well-balanced. If you can't make it for Sunday brunch, then swing by for your lunch next time you're wine touring in Sonoma. Folini and Eichenbaum is on Arnold drive at Grove St, so go straight at the 76 Station with the flashing red light instead of turning right to follow the Carneros highway.

What else? I just tried to take a picture of the new place for this post, but it came out looking a bit more squalid than things actually are. Maybe later today I'll try again.

Cheers!

Flood, disaster, and death, closer to home than ever

I find myself tearing up again and again as I read accounts of this nation’s latest disaster. Although the dead from other recent tragedies probably still outnumber Katrina’s victims, somehow I find this more pitiable.

Last winter’s tsunami dwarfs this humanitarian disaster in terms of death toll, as does the war in Iraq, which also produced lawlessness and disorder on an even greater scale. (Keep in mind that when I speak of the death toll in Iraq, I also think of the Iraqi dead, numbered at around 25,000) Even the September 11 attacks probably killed more people.

I was in New York that day, however, and I did the same thing that most people in the city did: I walked back to my apartment, far away (in NYC terms) from ground zero. Then I went out to Mexican and drank a few beers with my friends, while we talked about politics and world war. Yes, there was terror and confusion that morning, and many telephone circuits were still down. However, we still had electricity, clean water, and the rule of law.

I cannot imagine what it would be like to have been trapped in New Orleans. While this disaster raged, I made a flight across the country and went to work. I drank clean water, made gourmet dinners with local craft-made wine, fixed myself lattes in the morning. Not once did I have to worry about my survival, (except on the plane, for a minute, but that’s my own issue) my belongings, or the well-being of my loved ones. Nor have I ever had to worry about these things. For about three hours on the morning of September 11, 2001, I had the facade of civilization stripped away from my daily life. Other than that, like many people from the U.S. of my generation, I have never really wanted for anything, and enjoyed whatever luxury I desired, which is perhaps why this is so unimaginable.

It’s hard to believe the number of people left unevacuated in New Orleans, a city which for years has been in danger of flood. Was it because so many National Guards troops are deployed in Iraq? Perhaps; my guess, however, is that the disaster was simply unimaginable to most of the decision-makers. There has not been a hurricane disaster on this scale in my lifetime; nor in President Bush’s, or most of his generation. For most of our lifetimes, the hurricane cycle has been in a lull. I imagine that the young President’s experience of hurricanes was much like mine: make sure there’s some food and water in the house, don’t go out during the storm. Maybe the power or the cable goes out for awhile. Thus, if a few people are left behind in the city, it’s probably not a big deal; they’ll save themselves some gas money.

Of course, this isn’t what happened; the city flooded: thousands are dead. The experts who for years have been warning us of the dangers were ignored, just as they were before 9/11. Amazingly, the president has, sort of, apologized, saying his efforts were "unacceptable."
And yet, it would be nice to hear the words, "I’m sorry." I’ve personally been waiting for him to say that for four years now. Is it really so hard?

In California, life continues. We got our first grapes at Ravenswood August 30th, fairly late. By next week we’ll be in full swing. Brett and I moved at the beginning of that month, to a new location; since then I’ve developed an obsession with buying hand-knotted Persian rugs on Ebay. I bought the cat a collar and she managed to rid herself of it in five days; don’t get me started on how hard it was to get her into her carrier for the move. Once she got here, however, she seemed to like it. So do Brett and I.

The entertainer

News: I found a house.

News 2: My friends are here. I have no time to write this blog for you. Come back later and I swear I'll have pictures.

I have to link to rich's blog.